Commercial industry

Museum Insurance

A museum is a public-assembly building that also happens to hold other people’s irreplaceable objects. The file is collections or fine-arts coverage on the objects, property and ordinance-or-law on a building that is often historic, general liability for visitors and school groups, and D&O for the board. A nonprofit office package that never scheduled the collection is not a museum policy.

We place small and mid-size museums, historic houses that operate as museums, and science or local-history institutions that are still commercial, admitted accounts. We do not write traveling blockbuster tours as a surprise add-on, and we do not hide a large outdoor festival inside “education programming.” If you are an art gallery that sells work, use the gallery page. If you accession, exhibit, and educate, you are here.

Collections coverage is a scheduled or blanket fine-arts form with loaned-object and transit grants that match how you actually borrow. Wall-to-wall coverage on a incoming loan, a nail-to-nail transit wording, and a realistic valuation method (agreed value versus current market) are the conversations that prevent a claim from becoming an appraisal fight. We ask for the collections policy you already give lenders, and we match the insurance to that document instead of inventing a limit in a vacuum.

The building is often the second-largest number on the statement of values and the one most likely to be wrong. Historic masonry, a sprinkler system that was retrofitted badly, and ordinance-or-law on a partial loss are property facts. Business income and extra expense decide whether you reopen after a water loss in the galleries. We schedule the gift shop and the cafe as the retail and limited-cooking exposures they are, not as a footnote.

Visitor injury, school-group supervision, and volunteer labor are the GL story. If you serve wine at openings, liquor liability belongs on the file. Directors and officers coverage protects a board that makes accession and deaccession decisions in public. Washington staff stay with L&I; we place stop-gap and competitive-state WC. Volunteers are not automatically “employees” on a private WC form — we say so, and we schedule volunteer accident when it is the right tool.

Art galleries, associations, and private schools are the related pages. A museum that also runs a school program or a membership society should still start here so the collection is not an afterthought on a school or association form.

Risks we actually schedule

  • Damage, theft, or mysterious disappearance of owned or loaned collection objects.
  • A historic-building water or fire loss with ordinance-or-law rebuild cost.
  • Visitor and school-group injury in galleries, stairs, and on grounds.
  • Board-level accession, employment, or donor disputes.

Frequently asked questions

Does a commercial property policy cover the collection?

Usually not at the wording a lender wants. Collections and loaned objects belong on a fine-arts or collections form with agreed-value and transit grants. We schedule both the building and the objects.

A traveling exhibit is coming for three months. What do we do?

Send the loan agreement. We extend wall-to-wall or arrange a exhibit binder so the incoming objects are not hoping the permanent policy silently follows them.

We have a small cafe and a gift shop. Separate policies?

Usually one package with those occupancies described. A kitchen or a liquor opening is disclosable. Hiding them is how a grease-fire claim becomes an occupancy argument.